Ormond bar

Most of the action of Sirens takes place on the ground floor of the Ormond Hotel at 8-9 Upper Ormond Quay, just north of the Liffey and west of Capel Street. Four communicating spaces are described in the chapter: the "bar" where Mina Kennedy and Lydia Douce work and seven named male customers congregate, the "saloon" behind the bar where several of the men go to smoke, play the piano, and sing, the "diningroom" next door where Bloom sups with Richie Goulding and keeps his eyes and ears on people in the bar, and a "hallway" which leads to hotel rooms. No trace of these rooms remains today and no photographs survive from Joyce's time, so visualization of the scene depends on careful textual reading and some historical context.

Sirens opens with the two barmaids looking "over the crossblind of the Ormond bar" at the viceregal procession which is passing by on the pavement in front of the hotel. Several short paragraphs later Miss Douce darts "to the backmost corner, flattening her face against the pane" to peer at the receding carriages. These details imply that the bar counter must have run perpendicular to the street, ending at the front wall where blinds screened the lower half of the windows. A door likely opened directly into the bar from the street, but if so another front door must have led to the hotel rooms upstairs. When Bloom leaves the restaurant he walks through the bar into a hallway leading to this other front door: "By deaf Pat in the doorway straining ear Bloom passed.... By rose, by satiny bosom, by the fondling hand, by slops, by empties, by popped corks, greeting in going...Bloom in the Ormond hallway heard growls and roars of bravo" for Ben Dollard's performance. The dining room sits on one side of the bar, then, and a hallway on the other.

The interior of the saloon, used for smoking and for small evening concerts, must have been visible from the bar, because Simon Dedalus looks from the bar "towards the saloon door" and says, "I see you have moved the piano." Miss Douce explains that a piano tuner visited earlier in the day, "tuning it for the smoking concert." The narrative notes that Simon, having finished his drink, "strayed away." Soon the hum of a tuning fork emerges from the saloon, and soon after that the notes of Goodbye, Sweetheart, Goodbye, played by "sensitive hands. Brightly the keys, all twinkling, linked, all harpsichording." The saloon, it appears, had a raised platform for performers and a painting on one wall: "— M'appari, Simon, Father Cowley said. / Down stage he strode some paces.... Softly he sang to a dusty seascape there: A Last Farewell. A headland, a ship, a sail upon the billows. Farewell. A lovely girl, her veil awave upon the wind upon the headland, wind around her." When Ben Dollard's big bass voice ascends "to the quivery loveshivery roofpanes," it becomes apparent that the saloon is in a one-story part of the building lit by a skylight.

As for the dining room, after Bloom crosses the Grattan Bridge from Wellington Quay to Ormond Quay, he sees Boylan doing the same thing in a car. He follows Boylan, sees him enter the bar, and passes "Between the car and window, warily walking." Just beyond the bar, he runs into Richie Goulding, who invites him to share a meal at the Ormond. Bloom thinks, "Diningroom. Sit tight there. See, not be seen." The dining room is separate, then, but some part of it must command a view of the bar, and Joyce has already indicated what it is: shortly earlier, the chapter has shown Pat the waiter coming "to the door of the diningroom" to fulfill a diner's request for beer.

Bloom and Goulding seem to enter through yet another street door (happily avoiding a confrontation with Boylan in the bar), because they pass by set tables rather than bar fixtures: "The bag of Goulding, Collis, Ward led Bloom by ryebloom flowered tables. Aimless he chose with agitated aim, bald Pat attending, a table near the door. Be near. At four." This table near the door into the bar, which Bloom chooses in an "agitated" state while trying to appear "aimless," will allow him to look into the bar at 4:00, at which time he knows that Boylan has arranged to meet Molly. When Simon begins singing M'appari, he asks for the door between the two rooms to be propped open: "Bloom signed to Pat, bald Pat is a waiter hard of hearing, to set ajar the door of the bar."

Historical records examined by Harald Beck in a JJON article show that in the 1890s, the Ormond Hotel occupied only no. 8, and there was a drinking establishment on the ground floor. The 18-foot width of no. 8, specified in the property deed, and the presence of the "hallway" occupying part of that width, make it inconceivable that a restaurant could have shared the space. Under new ownership in the early 1900s the hotel expanded into no. 9 on the west side and opened a restaurant. The expansion did not begin until late 1905 or early 1906, so the layout depicted in the episode could not have existed in June 1904. Joyce's mental picture must have come from his memory of visiting the Ormond during his 1912 trip to Ireland. In a 21 August 1912 letter to Stanislaus he wrote, "I went to see Lidwell last night at the Ormond Hotel" and found him in "the company of several others telling stories," including John Stanislaus Joyce. Both Lidwell and Simon Dedalus figure in Sirens, so Joyce must have been relying on his anachronistic memory—allowing him to add Bloom to the scene.

John Hunt 2020

Detail from the 1920 Bartholomew map of Dublin, showing the Lilffey quays from the Four Courts to Sackville (O'Connell) Street, with the location of the Ormond Hotel identified by a blue arrow. Source: Leventhal Map and Education Center, Boston Public Library.

Floorplan of the Ormond Hotel's ground-floor premises with street numbers on Ormond Quay shown at the bottom, in a graphic rendering by Sophie Schumann included in Harald Beck's online note. Source: www.jjon.org.

Photograph from the early 1900s, held in the National Library of Ireland, showing the view from Wellington Quay across the Grattan Bridge to Upper Ormond Quay, where the Ormond Hotel sits several doors to the left of the two bell towers of the Presbyterian church. Source: twitter.com.